Angste (Anxieties); number 7 of 10; from the portfolio Ein Handschuh (A Glove)

Max Klinger, German, 1857 - 1920

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1880; published 1898 (4th edition)

Etching and aquatint on cream wove paper

fourth

Impression: 5 9/16 × 10 5/8 in. (14.2 × 27 cm)

Sheet: 17 5/16 × 26 in. (44 × 66 cm)

Hood Museum of Art, Dartmouth College: Purchased through a gift from the Cremer Foundation in memory of J. Theodor Cremer and the Hood Museum of Art Acquisitions Fund

PR.984.52.7

Printer

Wilhelm Felsing, Berlin

Geography/Culture

Europe, Germany

Period

19th century

Object Name

Print

Classification

Print

Not on view

Inscription

Signed, lower right, in plate: MAX KLINGER; upper right, in plate: VII.

Course History

ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019

German Club, Winter 2019

COLT 7.13, “You Must Be Dreaming”: Dreams in Literature and Film, Paul Carranza, Spring 2015

WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014

THEA 17, 19th and 20th century Performance, Laura Edmondson, Spring 2014

WRIT 5, American Gothic, Wendy Piper, Winter 2014

WRIT 5, American Gothic, Wendy Piper, Fall 2013

WRIT 5, American Gothic, Wendy Piper, Fall 2013

ANTH 7, The Values of Medicine, Sienna Craig, Winter 2013

Exhibition History

Temptation and Denial: Symbolist Prints by Redon and Klinger, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 3-September 19, 1999.

A Space for Dialogue 87, The Tortured Soul: Exploring the Excesses of Human Emotion, Laura Dorn, Class of 2015, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 11-May 24, 2015.

A Space for Dialogue 60, Hand-In-Glove: Representations of the Glove as Fetish Object, Thisbe Gensler, Class of 2010, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 14-October 31, 2010.

Publication History

Thisbe Gensler, A Space for Dialogue 60, Hand-In-Glove: Representations of the Glove as Fetish Object, Thisbe Gensler, Class of 2010, Curatorial Intern, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2010, p. 1.

Provenance

Catherine E. Burns, Berkeley, California [dealer]; sold to present collection, 1984.

Catalogue Raisonne

H.W. Singer, Max Klinger, Etchings, Engravings and Lithographs, 1878-1903, San Francisco, 1991, p. 204, no. 119.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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