Signed, lower right, in plate: MAX KLINGER; upper right, in plate: II.
WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014
A Space for Dialogue 60, Hand-In-Glove: Representations of the Glove as Fetish Object, Thisbe Gensler, Class of 2010, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 14-October 31, 2010.
Temptation and Denial: Symbolist Prints by Redon and Klinger, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 3-September 19, 1999.
Catherine E. Burns, Berkeley, California [dealer]; sold to present collection, 1984.
H.W. Singer, Max Klinger, Etchings, Engravings and Lithographs, 1878-1903, San Francisco, 1991, p. 202, no. 114.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu