Rocked Circle- Fear, number 7 of 10; from the portfolio Projects
Dennis A. Oppenheim, American, 1938 - 2011
1970, print 1973
Photolithograph in black and blue on Arches Cover White paper
17/81
Sheet: 22 × 30 in. (55.9 × 76.2 cm)
Hood Museum of Art, Dartmouth: Purchased through the Adelbert Ames Fine Arts Awards Fund
PR.975.10.7
Printer
Landfall Press, Chicago, Illinois
Publisher
John Gibson Gallery, Inc., New York, New York | Multiples, Inc., New York, New York | Sonnabend Gallery, New York, New York
Geography
Place Made: United States, North America
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Signed and dated, in graphite: Dennis Oppenheim 17/81 1973
Course History
FILM 48, SART 17, New Media Theory & Practice, Mary Flanagan, Winter 2012
ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Winter 2019
ENGL 7.47, Tales of the Avant Garde, Andrew McCann, Winter 2020
ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Winter 2022
Exhibition History
A Space for Dialogue 48, Discomfort Zone, Fluxus and Performance Art from the 1960's and 1970's, Kimia Shahi, Class of 2009, Levinson Public Relations Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 4-March 1, 2009.
Art and/as Violence, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 2006-March 11, 2007.
Artist as Object/Subject, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 18, 1999-March 12, 2000.
Publication History
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.190, no.209.
Provenance
John Gibson Gallery, New York, New York; sold to present collection, 1975.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu