Mother and Child, from the portfolio CONSPIRACY: The Artist as Witness
Romare Howard Bearden, American, 1911 - 1988
Pearl Hirshfield, American, born 1922
Screenprint and offset lithograph on Arches paper
Artist's proof; edition of 150
Overall: 24 × 18 in. (61 × 45.7 cm)
Hood Museum of Art, Dartmouth: Gift of David R. Godine, Class of 1966
Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY
Shorewood-Bank Street Atelier, New York
David R. Godine | Center for Constitutional Rights, New York, New York
Place Made: United States, North America
Not on view
Inscribed, in graphite, along lower left edge: Rom/are/Bear/den/AP
A Space for Dialogue 97, Black Bodies on the Cross, Victoria McCraven, Class of 2019, Homma Family Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 9, 2019-January 4, 2020.
Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, August 29-October 5, 1975.
One cent Life and Related Prints, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 8-February 23, 1975.
Swan, Stephanie. "The Mother's Voice", Dartmouth College, 1990.
Victoria McCraven, A Space for Dialogue 97, Black Bodies on the Cross, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2020.
David R. Godine, Boston, Massachusetts; given to present collection, 1972.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu