Mother and Child, from the portfolio CONSPIRACY: The Artist as Witness

Romare Howard Bearden, American, 1911 - 1988

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published 1971

Screenprint and offset lithograph on Arches paper

Artist's proof; edition of 150

Overall: 24 × 18 in. (61 × 45.7 cm)

Hood Museum of Art, Dartmouth College: Gift of David R. Godine, Class of 1966

Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY

PR.972.224.2

Printer

Shorewood-Bank Street Atelier, New York

Publisher

David R. Godine

Center for Constitutional Rights, New York, New York

Geography/Culture

North America, United States

Period

20th century

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, in graphite, along lower left edge: Rom/are/Bear/den/AP

Course History

SART 31/SART 72, Painting II/III, Jennifer Caine, Winter 2020

Exhibition History

One cent Life and Related Prints, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 8-February 23, 1975.

Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, August 29-October 5, 1975.

A Space for Dialogue 97, Black Bodies on the Cross, Victoria McCraven, Class of 2019, Homma Family Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 9, 2019-January 4, 2020.

Publication History

Victoria McCraven, A Space for Dialogue 97, Black Bodies on the Cross, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2020.

Swan, Stephanie. "The Mother's Voice", Dartmouth College, 1990.

Provenance

David R. Godine, Boston, Massachusetts; given to present collection, 1972.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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