Mother and Child, from the portfolio CONSPIRACY: The Artist as Witness

Romare Howard Bearden, American, 1911 - 1988
Pearl Hirshfield, American, born 1922

Share

published 1971

Screenprint and offset lithograph on Arches paper

Artist's proof; edition of 150

Overall: 24 × 18 in. (61 × 45.7 cm)

Hood Museum of Art, Dartmouth: Gift of David R. Godine, Class of 1966

Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY

PR.972.224.2

Printer

Shorewood-Bank Street Atelier, New York

Publisher

David R. Godine | Center for Constitutional Rights, New York, New York

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in graphite, along lower left edge: Rom/are/Bear/den/AP

Exhibition History

A Space for Dialogue 97, Black Bodies on the Cross, Victoria McCraven, Class of 2019, Homma Family Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 9, 2019-January 4, 2020.

Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, August 29-October 5, 1975.

One cent Life and Related Prints, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 8-February 23, 1975.

Publication History

Swan, Stephanie. "The Mother's Voice", Dartmouth College, 1990.

Victoria McCraven, A Space for Dialogue 97, Black Bodies on the Cross, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2020.

Provenance

David R. Godine, Boston, Massachusetts; given to present collection, 1972.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu