Africa

Crispijn I de Passe, Dutch, 1564 - 1637

Share

about 1590

Engraving on laid paper

Sheet: 2 1/4 × 4 1/4 in. (5.7 × 10.8 cm)

Hood Museum of Art, Dartmouth: Gift of the Estate of Harold Goddard Rugg, Class of 1906

PR.957.206.1

Portfolio / Series Title

Four Continents

Geography

Place Made: Netherlands, Europe

Period

1400-1600

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, bottom center: Crispian d. Passe fe: et excudit.; inscribed, in plate, upper right: AFRICA

Label

Crispijn I de Passe is not known to have traveled outside of Europe; thus, his understanding of Africa, America, and Asia was likely based on other travelers’ accounts, as well as his own imagination. In his Four Continents, the fully nude allegorical women figuring Africa and America sit atop wild beasts. America wears a feathered headdress and carries a bow and arrow, perhaps a nod to the Indigenous populations colonial settlers encountered when they landed in the New World a century prior. Bare-chested Asia is accompanied by a hybrid creature, part camel, part dragon. Only Europe is entirely clothed. She wears royal dress, holds a scepter, and bears advanced weapons—a gun and shield—clearly distinguished as the most “civilized.” The artists in this exhibition actively address how this idea of “civilized” and “primitive other” continues to plague the West and its relationship to the rest of the world.

From the 2020 exhibition Reconstitution, curated by Jessica Hong, Associate Curator of Global Contemporary Art

Course History

ARTH 28.01, The Global Renaissance, Elizabeth Kassler-Taub, Fall 2021

Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023

Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023

Exhibition History

Reconstitution, Dorothy and Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 2, 2020 - June 20, 2021.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 15, 2005.

Unlayering Stereotypes: Selections from the Permanent Collection For Teaching Cultural Anthropology, Harrington Gallery Teaching Exhibition, Anthropology 7, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 24-August 20, 1995.

Provenance

Collected by Harold Goddard Rugg (1883-1957, Class of 1906), Hanover, New Hampshire; given by his Estate to present collection, 1957.

Catalogue Raisonne

D. Franken, L'Oeuvre Grave des Van de Passe, Amsterdam, 1881, no. 1205; Hollstein no. 603.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu