Evening Wind

Inscriptions

Signed, in graphite, lower right: Edward Hopper

Label

A woman pauses while climbing into bed. Her face turns away from us, towards the window; despite the vulnerability brought about by her naked body, we are removed from her internal experience of this moment. The curtain billows from a breeze coming into the room. The deep darkness of the wall behind accentuates the stark whiteness of the window.

Hopper often used early-twentieth century American architecture to capture scenes of isolation. Here, the open window lets in wind and light, breaching the divide between interior and exterior. And yet, it does not show a view of what exists in the outside world.

From the 2023 exhibition A Space for Dialogue 113, On View: Windows in Art, curated by Leigh Smith '23, Erbe Intern

Course History

SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014

Space for Dialogue Gallery Talk: Windows in Art, Summer 2023

Exhibition History

A Space for Dialogue 113, On View: Windows in Art, Leigh Smith '23, Erbe Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 1 - August 12, 2023.

American Works on Paper to 1950: Highlights from the Hood Museum of Art, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 22-December 9, 2007.

Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, August 1973.

Figures and Structures: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 2-March 10, 1996.

Image of Women, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, January 30-February 29, 1976.

Light in Art, Jaffe-Friede, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 2, 1977-January 29, 1978.

Night Visions: Nocturnes in American Art, Bowdoin College Museum of Art, Brunswick, Maine, June 25-October 18, 2015.

Prints from the Hood Museum Collection, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 1, 1985-January 12, 1986.

The American Artists of Amory Show, 1913, Israel Sack Gallery [American Works on Paper wall], Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 12, 2013.

The Nude: Selections from the Permanent Collection, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, April 20-June 17, 1984.

Treasures from the Print Collection, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 3-August 17, 1980.

Publication History

Treasures of the Hood Museum of Art, Dartmouth, New York: Hudson Hill Press, 1985, p. 137.

Barbara J. MacAdam, American Art at Dartmouth: Highlights from the Hood Muesum of Art, Hanover: Trustees of Dartmouth College, 2007, p. 163, no. 133.

Joachim Homann, Night Vision: Nocturnes in American Art, 1860-1960, Munich, London, New York: Delmonico Books / Prestel, 2016, 176 pp., ill. p. 98.

Provenance

Peter H. Deitsch, New York, New York; sold to present collection, 1956.

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