The Expulsion from Paradise
Hans Sebald Beham, German, 1500 - 1550
Engraving on paper
Sheet: 3 1/4 × 2 5/16 in. (8.3 × 5.8 cm)
Hood Museum of Art, Dartmouth: Gift of Mrs. Hersey Egginton in memory of her son, Everett Egginton, Class of 1921
Place Made: Germany, Europe
Not on view
Initialled and dated, in plate, lower left: 1543 / HSB [artist's monogram]; reverse, inscribed, in graphite, lower left: B.7; reverse, inscribed, in graphite, lower right: B.7; Collector's mark, reverse, stamped, in black ink, upper center: B.E. [underlined] [Lugt 357 unidentified mark] Collector's mark, reverse, stamped, in brown ink, lower center: [indistinct] [unidentified]
1500, Strauss Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, November-December, 1972
Durer and Friends, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, November 30, 1979-January 6, 1980.
Old Master Prints from the Dartmouth Collection, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-April 10, 1987.
Prints and Drawings of the Northern Renaissance, Carpenter Hall, Dartmouth College, Hanover, New Hampshire, May 21-July 11, 1976.
Prints from the Hood Museum Collection, Friends Gallery, Hood Museum, Dartmouth College, Hanover, New Hampshire, November 1, 1985-January 12, 1986.
The Age of the Marvelous, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 21-November 24, 1991; North Carolina Museum of Art, Raleigh, North Carolina, January 25-March 22, 1992; The Museum of Fine Arts, Houston, Texas, May 24-August 25, 1992; High Museum of Art, Atlanta, Georgia, October 6, 1992-January 3, 1993, naturalia no. n172.
Collected by Hersey Egginton (1875-1951); bequeathed to his wife, Mary E. (Benner) Egginton (1875-1962), Garden City, New York, 1951; given to present collection, 1954.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu