The Squall, Kampen

James McBey, American (born Scotland), 1883 - 1959

Share

1923; published 1924

Etching on laid paper

Edition of 76; Edition 7/20 in American edition (+ 50 British edition and 6 artist's proofs

Impression: 6 7/8 × 12 in. (17.5 × 30.5 cm)

Sheet: 9 1/4 × 10 7/16 in. (23.5 × 26.5 cm)

Hood Museum of Art, Dartmouth: Gift of Mrs. Hersey Egginton in memory of her son, Everett Egginton, Class of 1921

PR.954.20.369

Geography

Place Made: England, United Kingdom, Europe

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, lower center: MCBEY Genemuiden 19 August 1923; signed, in black ink, lower right margin: James McBey; inscribed, in black ink, lower left margin: A.T. Watermark: WJ

Exhibition History

British Etchings c.1860-1930, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 7, 1971-January 7, 1972.

Provenance

Collected by Hersey Egginton (1875-1951); bequeathed to his wife, Mary E. (Benner) Egginton (1875-1962), Garden City, New York, 1951; given to present collection, 1954.

Catalogue Raisonne

M. Hardie, Etchings and Dry Points from 1902 to 1924 by James McBey, London, 1925, no. 219.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu