Design for a Fountain

Giovanni Giardini, Italian, 1646 - 1722

Share

1714

Engraving on laid paper

Sheet: 15 3/8 × 10 1/4 in. (39.1 × 26 cm)

Hood Museum of Art, Dartmouth: Gift of Edgar and Katherine Seeler

PR.953.68

Portfolio / Series Title

Plate 86 from Disegni diversi inventati e delineati da Giovanni Giardini da Forlí. etc. Parte Prima (Various Designs invented and engraved by Giovanni Giardini of Forlí, Part One)

Geography

Place Made: Italy, Europe

Period

1600-1800

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Printed, in plate, lower left: Ioan Giardini inven. et delin.; lower right: Maxi Ioseph Limpach sculp. Romae; upper left: NO. 86.

Label

The Roman printmaker and designer Giovanni Giardini published books of designs for devotional objects, fine metalwork, and public monuments that could be adapted by sculptors in three dimensions. His engraving of a public fountain lacks any context of place or scale, suggesting that it could be transformed as needed in its translation into space. Giardini’s designs rely on scrolling foliage, putti, shells, sweeping curves, and other common forms of ornament that could be applied by sculptors to any number of functional objects.

From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections

Course History

History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024

History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subject

Subject: