The Riva, no. 1, from The First Venice Set

James Abbott McNeill Whistler, American, 1834 - 1903

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1879-1880

Etching on laid paper

Plate: 7 15/16 × 11 1/2 in. (20.2 × 29.2 cm)

Hood Museum of Art, Dartmouth: Gift of Helena Mein Wade in memory of her husband, Alfred Byers Wade

PR.950.21.48

Geography

Place Made: United States, North America

Period

19th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed, in plate, lower left: butterfly device; inscribed, on reverse: collection inscriptions Watermark: crown

Exhibition History

19th Century Prints from the Permanent Collection, Art 52, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 12-March 25, 1979.

Art 48 (Barbara Walsh), Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 4-May 8, 1981.

James McNeill Whistler: Works from the Dartmouth Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 9-March 13, 1988.

Whistler, Venice, and the American Etching Revival (in conjunction with Canaletto's Vedute Prints: An Exhibition in Honor of Adolf Weil, Jr.), Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 1-December 6, 2015.

Whistler, Venice, and the American Etching Revival [American Works of Paper wall], Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 12, 2008-January 4, 2010.

Provenance

Alfred Byers Wade (1874-1949) Collection; to his wife, Helena Mein Wade (1878-1966), New Canaan, Connecticut, 1949; given to present collection, 1950.

Catalogue Raisonne

E. Kennedy, The Etched Work of Whistler, San Francisco, 1978, no. 192. H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler, Chicago, 1909, no. 189.

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