Number five of five from the portfolio Stain, from the Discolored series
Berni Searle, South African, born 1964
2000
Digital print with text
Edition 3/20
Sheet: 19 9/16 × 17 11/16 in. (49.7 × 45 cm)
Hood Museum of Art, Dartmouth: Purchased through the William B. and Evelyn F. Jaffe (58, 60, & 63) Fund
© Berni Searle
PR.2002.67.5
Geography
Place Made: South Africa, Southern Africa, Africa
Period
21st century
Object Name
Research Area
Africa
Not on view
Inscriptions
Signed and dated, in graphite, lower left: B Searle / 2000; inscribed, in graphite, lower right: 3/20
Course History
HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013
AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
Exhibition History
A Space for Dialogue 100, The Soul Has Bandaged Moments, Kensington Cochran, Class of 2020, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, March 6-May 16, 2021.
Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Looking Backward, Moving Forward: Women Photographers at the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 12-September 19, 2004.
Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.
Publication History
Barbara Thompson, "The African Collection at the Hood Museum of Art," African Arts, Volume XXXVII, No. 2, Los Angeles: African Studies Center, University of California, 2004, ill. p. 31.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 345, plate 124.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.166, no.135.
Provenance
Axis Gallery, New York; sold to present collection, 2002.
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