Number two of five from the portfolio Stain, from the Discolored series

Berni Searle, South African, born 1964

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2000

Digital print with text

Edition 3/20

Sheet: 19 9/16 × 17 11/16 in. (49.7 × 45 cm)

Hood Museum of Art, Dartmouth College: Purchased through the William B. and Evelyn F. Jaffe (58, 60, & 63) Fund

© Berni Searle

PR.2002.67.2

Geography/Culture

Africa, Southern Africa, South Africa

Period

21st century

Object Name

Print

Classification

Print

Africa

Not on view

Inscription

Signed and dated, in graphite, lower left: B Searle / 2000; inscribed, in graphite, lower right: 3/20

Course History

HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013

AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013

Exhibition History

Looking Backward, Moving Forward: Women Photographers at the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 12-September 19, 2004.

Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

A Space for Dialogue 25, Body (A)Part: Fragmentation of the Female Form, Alexis Ettinger, Class of 2005, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 4-May 22, 2005.

Publication History

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.166, no.135.

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 345, plate 124.

Alexis Ettinger, A Space for Dialogue 25, Body (A)Part: Fragmentation of the Female Form, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2005, ill. p. 3.

Provenance

Axis Gallery, New York; sold to present collection, 2002.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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