Number two of five from the portfolio Stain, from the Discolored series
Berni Searle, South African, born 1964
Digital print with text
Sheet: 19 9/16 × 17 11/16 in. (49.7 × 45 cm)
Hood Museum of Art, Dartmouth: Purchased through the William B. and Evelyn F. Jaffe (58, 60, & 63) Fund
© Berni Searle
Place Made: South Africa, Southern Africa, Africa
Not on view
Signed and dated, in graphite, lower left: B Searle / 2000; inscribed, in graphite, lower right: 3/20
HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013
AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
A Space for Dialogue 25, Body (A)Part: Fragmentation of the Female Form, Alexis Ettinger, Class of 2005, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 4-May 22, 2005.
Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Looking Backward, Moving Forward: Women Photographers at the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 12-September 19, 2004.
Alexis Ettinger, A Space for Dialogue 25, Body (A)Part: Fragmentation of the Female Form, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2005, ill. p. 3.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 345, plate 124.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.166, no.135.
Axis Gallery, New York; sold to present collection, 2002.
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