Signed and dated, in graphite, lower left: B Searle / 2000; inscribed, in graphite, lower right: 3/20
ARTH 17.2, AAAS 80.5, Twentieth-Century African Art , Ugochukwu Smooth Nzwei, Spring 2015
COCO 2.3, ANTH 50.6, HIV/AIDS Through a Bio-social Lens: Thirty Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2015
HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013
AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
ANTH 50, COCO 2, HIV/AIDS Through a Biosocial Lens: 30 Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2013
Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Looking Backward, Moving Forward: Women Photographers at the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 12-September 19, 2004.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.166, no.135.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 345, plate 124.
Axis Gallery, New York; sold to present collection, 2002.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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