Inverary Pier. Loch Fyne. Morning, from the series Liber Studiorum
Joseph Mallord William Turner, English, 1775 - 1851
June 1, 1811
Etching, mezzotint, and aquatint on wove paper
Image: 7 1/16 × 10 3/8 in. (17.9 × 26.3 cm)
Plate: 8 1/2 × 11 1/2 in. (21.6 × 29.2 cm)
Sheet: 11 × 15 3/4 in. (27.9 × 40 cm)
Hood Museum of Art, Dartmouth: Purchased through the Class of 1935 Memorial Fund
Place Made: England, United Kingdom, Europe
Not on view
Inscribed, in plate, lower center: Drawn Etched & Engraved by I.M.W. Turner R.A. / INVERARY-PIER. LOCH FYNE. MORNING. / Published June 1. 1811, by I.M.W. Turner, Queen Ann Street West.
ARTH 41.03, European Art 1750-1850, Allan Doyle, Winter 2019
The Artful Disposition of Shades: The Great Age of English Mezzotints, Owen Robertson Cheatham and Friends Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19 through March 14, 2010.
T.Barton Thurber, The Artful Disposition of Shades: The Great Age of English Mezzotints, Hanover: Trustees of Dartmouth College, Capital Offset Company Inc., 2010, checklist p. 23.
James A. Bergquist, Boston, Massachusetts; sold to present collection, 2000.
A. J. Finberg, The History of Turner's Liber Studiorum with a New Catalogue Raisonne, London, 1924, no. 35.
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