Inverary Pier. Loch Fyne. Morning, from the series Liber Studiorum
Joseph Mallord William Turner, English, 1775 - 1851
June 1, 1811
Etching, mezzotint, and aquatint on wove paper
Image: 7 1/16 × 10 3/8 in. (17.9 × 26.3 cm)
Plate: 8 1/2 × 11 1/2 in. (21.6 × 29.2 cm)
Sheet: 11 × 15 3/4 in. (27.9 × 40 cm)
Hood Museum of Art, Dartmouth: Purchased through the Class of 1935 Memorial Fund
PR.2000.7
Geography
Place Made: England, United Kingdom, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center: Drawn Etched & Engraved by I.M.W. Turner R.A. / INVERARY-PIER. LOCH FYNE. MORNING. / Published June 1. 1811, by I.M.W. Turner, Queen Ann Street West.
Course History
ARTH 41.03, European Art 1750-1850, Allan Doyle, Winter 2019
Studio Art 31.01/72.01, Painting II/III, Jen Caine, Winter 2023
Exhibition History
The Artful Disposition of Shades: The Great Age of English Mezzotints, Owen Robertson Cheatham and Friends Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19 through March 14, 2010.
Publication History
T.Barton Thurber, The Artful Disposition of Shades: The Great Age of English Mezzotints, Hanover: Trustees of Dartmouth College, Capital Offset Company Inc., 2010, checklist p. 23.
Provenance
James A. Bergquist, Boston, Massachusetts; sold to present collection, 2000.
Catalogue Raisonne
A. J. Finberg, The History of Turner's Liber Studiorum with a New Catalogue Raisonne, London, 1924, no. 35.
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