Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Margit Kern, Transkulturelle Imaginationen des Opfers in der Fruhen Neuzeit, Berlin: Deutscher Kunstverlag, Neue Grunstrabe 17, 468 pp., ill. p. 337.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52, p. 24, fig. 46.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.171.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Hans Askenasy, Cannibalism from Sacrifice to Survival, Amherst, N.Y.: Prometheus Books, 1994, Fig. 5
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 101
Michael Leja, New York School Painting and U.S. Culture in the 1940's, New Haven: Yale University Press, 1992-93
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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