Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Hans Askenasy, Cannibalism from Sacrifice to Survival, Amherst, N.Y.: Prometheus Books, 1994, Fig. 5
Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 101
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Michael Leja, New York School Painting and U.S. Culture in the 1940's, New Haven: Yale University Press, 1992-93
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.171.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52, p. 24, fig. 46.
Margit Kern, Transkulturelle Imaginationen des Opfers in der Fruhen Neuzeit, Berlin: Deutscher Kunstverlag, Neue Grunstrabe 17, 468 pp., ill. p. 337.
Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 86, fig. 2.23
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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