The Epic of American Civilization: Modern Industrial Man (right panel, 3 of 3, Panel 20)

José Clemente Orozco, Mexican, 1883 - 1949

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1932-1934

Fresco

Overall: 114 × 119 in. (289.6 × 302.3 cm)

Hood Museum of Art, Dartmouth: Commissioned by the Trustees of Dartmouth College

P.934.13.24

Geography

Place Made: Mexico, North America

Period

20th century

Object Name

Painting

Research Area

Painting

On view

Inscriptions

Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934

Exhibition History

Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.

Publication History

series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.

Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993

Philip D. Leighton and David C. Weber, Planning Academic and Research Library Buildings, 3rd ed., Chicago: American Library Association, 1999, 887 p.

Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.

Annette Carlozzi, "Might Could Be" in Terry Adkins Towering Steep, Hanover: Studio Art Exhibition Program, 2003, p.p. 8-10, ill. p. 8.

Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.181.

Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53; p. 28, fig. 54.

Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 88, fig. 2.25.

Provenance

Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.

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