"HEARKEN to the reed-flute, how it complains,
Lamenting its banishment from its home:
"Ever since the tore me from my osier bed,
My plaintive notes have moved men and women to tears.
I burst my breast, striving to give vent to sighs,
And to express the pangs of my yearning from my home.
He who abides far away from his home
Is ever longing for the day he shall return.
My wailing is heard in every throng,
In concert with them that rejoice and them that weep."
WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014
REL 28.4, Gender in Islam, Candace Mixon, Winter 2019
REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020
Asian Art from the College Collection, Barrows Print Room and Strauss Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 5-31.
Harrington Silver Case, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 1-April 1, 1983.
Loew Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 1, 2004-February 13, 2005.
The Nature of Empire, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 10-August 18, 1984.
Reiza Khan Monif (1850/51-1923), Paris and New York; to his son, Hassan Khan Monif (1888-1964), 640 Madison Avenue, New York; sold to present collection, 1931.
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