Signed, on reverse, in graphite, thomas nozkowski; inscribed, on reverse, in graphite, UNTITLED / 1992 / PENCIL ON PAPER / THOMAS NOZKOWSKI / 70 HESTON STREET / NYC NY 10002 / (212) 966-5890; embossed, in sheet, at regular intervals: HAMMERMILL / PAPER [sideways, top to bottom, appears 6 times in drawing]
SART 15, Drawing I, Colleen Randall, Winter 2013
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012
SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013
SART 15, Drawing I, Colleen Randall, Fall 2013
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2013
SART 20, SART 71, Drawing II/III, Colleen Randall, Fall 2014
SART 15, Drawing I, Colleen Randall, Spring 2015
SART 20/SART 71, Drawing II/Drawing III, Colleen Randall, Fall 2019
Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS, Winter 2023
Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS 1, Winter 2023
Studio Art 25.01, Painting I, Enrico Riley, Winter 2023
The Mark of Minimalism: Gifts of Works on Paper from Sarah-Ann and Werner Kramarsky, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-May 29, 2005.
Amy Eshoo, Ed., with contributions by Derrick R. Cartwright, James Cuno, Elizabeth Finch, Josef Helfenstein, Glenn D. Lowry, David Mickenberg, Ann Philbin, Earl A. Powell III, Jock Reynolds, and Townsend Wolfe, 560 Broadway: A New York Drawing Collection at Work, 1991-2006, New Haven and London: Yale University Press, 2008, checklist, p. 159.
Diane Brown Gallery; sold to Sally and Wynn Kramarsky, New York; given to present collection, 1998.
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