Virgin and Child with Saints

Perugino (Pietro di Cristoforo Vannucci) and Workshop, Italian, about 1450 - 1523

Share

See Previous Article See next Article

about 1500

Oil and tempera on panel

Overall: 69 5/16 x 67 5/16 in. (176 x 171 cm)

Frame: 78 1/2 x 76 1/4 in. (199.4 x 193.6 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Florence and Lansing Porter Moore 1937 Fund

P.999.2

Geography/Culture

Europe, Italy

Period

1400-1600

Object Name

Painting

Classification

Painting

Not on view

Course History

ARTH 45, Southern Baroque Art, Joy Kenseth, Winter 2016

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016

WRIT 5, On Poor Taste, William Boyer, Fall 2015

WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015

WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015

ARTH 1, Bodies and Buildings: Introduction to the History of Art in the Ancient World and the Middle Ages, Jane Carroll, Steven Kangas, Fall 2015

HIST 43.2, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2015

ITAL 7, Women in Renaissance Venice, Courtney Quaintance, Spring 2015

FRIT 34, Sex and Gender in the Italian Renaissance, Courtney Quaintance, Spring 2015

WRIT 5, On Poor Taste, William Boyer, Winter 2015

ITAL 23, Seventeenth and Eighteenth-Century Italian Literature and Culture, Nancy Canepa, Winter 2015

THEA 16, Theatre and Society II: Early Modern Performance, Laura Edmondson, Winter 2015

WRIT 7, Religion and Literature: Revisioning the Invisible, Nancy Crumbine, Spring 2014

ITAL 22, Humanism and Renaissance, Courtney Quaintance, Spring 2014

PHIL 23, Philosophy of Art, John Kulvicki, Winter 2014

ARAB 31, Advanced Arabic, El Mostafa Ouajjani, Fall 2013

ITAL 3, Introductory Italian III, Jonathan Mullins, Fall 2013

ITAL 3, Introductory Italian III, Anna Minardi, Fall 2013

WRIT 5, Expository Writing, Carl Thum, Winter 2013

REL 51, Virgin of Guadalupe, Elizabeth Perez, Winter 2013

ARTH 17, Italian Renaissance Architecture: Issues and Approaches, Lauren Jacobi, Winter 2013

FREN 1, Introductory French I, Kelly McConnell, Winter 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 42, High Renaissance Art, Joy Kenseth, Fall 2012

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012

Exhibition History

Yale University Art Gallery, New Haven, Connecticut, March 14, 2016-June 30, 2018.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19, 2013-March 13, 2016.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 20, 2009-August 2013.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-August 28, 2007.

Publication History

T. Barton Thurber, "European Art at Dartmouth: Highlights from the Hood Museum of Art", Hanover: Trustees of Dartmouth College, 2008, pp. 36-38, ill. p.36, no. 6.

T. Barton Thurber, Twenty Years of Building a Collection: The Hood Museum of Art, Apollo (Vol. 162, no. 526), December 2005, London: Apollo Magazine, 2005, pp. 46-53, ill. p.48.

Daniel Rockmore, Siwei Lyu, and Hany Farid, "A Digital Technique for Authentication in the Visual Arts", IFAR Journal/International Foundation for Art Research, Vol. 8, No. 2, 2005/06, New York, New York: International Foundation for Art Research (IFAR), 2005/2006, p. 17, ill. p. 13 and 16.

Sotheby's, Important Old Master Paintings, January 28, 1999, Sale 7261, lot 212.

Staatlichen Museen zu BerlinStiftung - Preußischer Kulturbesitz. Dokumentation der Verluste, Band I, Gemäldegalerie (Berlin, 1995), p. 92, n. 146 (illustrated and attributed to Perugino Schule).

Filippo Todini, La Pittura Umbra, Vol. 1, Milano: Longanesi & C., p. 78, no. 1374, illustration no. 1374, Vol. 2., 1989. [attributed to Giannicola di Paolo]

J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, Umbria, Florence, and Siena from the Second to the Sixteenth Century, ed. Langton Douglas, 2nd ed., 6 vols. (London: J. Murray, 1903-1914), vol. 5, p. 369 (attributed to Tiberio d'Assisi).

G. F. Wagen, Konigliche Museen, Verzeichniss der Gemalde-Sammlung, Berlin, 1851, p. 46, no. 146.

Provenance

Commissioned altarpiece, original location unknown; acquired by Edward Solly (1776-1844), an English merchant living in Berlin, date unknown; sold to the Kaiser Friedrich Museum, Berlin, in 1821; lent to the German Embassy, Rome, before 1931; seized by the Allies under the authority of Inter-Allied Repatriation Agency; sold to Dr. Franco Festa, Rome, 1952; private collections, Siena, Italy, and New York, since 1952; Sotheby's, Important Old Master Paintings, Sale 7261, lot 212, New York, January 28, 1999; sold to present collection, 1999.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

Noticed a mistake? Have some extra information about this object? Contact Us