Wooden Kero

Unidentified Inca or Early Spanish Colonial maker

Share

1470-1560

Lacquered wood

Overall: 5 5/16 × 3 15/16 × 4 5/16 in. (13.5 × 10 × 11 cm)

Hood Museum of Art, Dartmouth: Acquired by exchange from Ralph C. Altman, Los Angeles, California

55.20.13262

Geography

Place Made: Cuzco, Peru, South America

Period

1400-1600

Object Name

Tools and Equipment: Food Service

Research Area

Americas

On view

Label

Keros were originally made in pairs, filled with corn beer or chicha, and exchanged in ritual drinking ceremonies. Drinking from the cups signaled the agreement and reciprocity between two individuals, but in larger ceremonies, individuals drank according to class rank to pledge their societal commitments.

Carved and incised by a once-known Incan maker, this geometrically designed wooden cup retains traces of paint, which suggests Spanish influence on the design. Spanish colonizers first opposed the kero exchange, but they adopted the ceremony to gain Incans’ trust.

However, the colonizers often agreed to promises later broken. Incans likely saw a relationship between their keros and Spaniards’ chalices filled with wine at the Catholic Mass.

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

ANTH 23, The Incas, Alan Covey, Spring 2013

ANTH 24, Early Civilizations of the Andes, Alan Covey, Spring 2014

Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Art History 40.01, American Art and Identity, Mary Coffey, Fall 2023

Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023

Geography 11.01, Qualitative Methods, Emma Colven, Fall 2023

Geography 2.01, Introduction to Human Geography, Coleen Fox, Fall 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

Exhibition History

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-June 16, 2024.

Oculate Beings and Horrible Birds: Image and Meaning in Ancient Andean Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30, 1999-November 5, 2000, no. 47.

Provenance

Ralph C. Altman (1909-1967), Los Angeles, California; by exchange (#101) to present collection, 1955.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu