Anglo-European Female Figure (possibly a Missionary)

Label

Artists from different nations and backgrounds made the small boats and other artworks in this case. Before cars, trains, and planes, boats connected the world. These objects reflect the global movement of peoples and trade between Indigenous and Colonial nations.

White protestant and catholic missionaries sailed around the globe attempting to convert Indigenous peoples to western religions. The upright (and uptight) missionary figures appear stiff and unmoving, perhaps reflecting the maker’s opinion that colonizing missionaries failed to fully appreciate the complexity of Haida culture.

The necklaces are made from dentalium, a narrow white seashell harvested by Indigenous peoples along the western coast of North America. Indigenous Americans traded dentalium across the continent, exchanging it for turquoise from the Southwest or dyes and hides from other regions. Dentalium’s movement reflects a history of complex international trade between Indigenous Nations that predates the arrival of European colonizers.

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

ANTH 3, Introduction to Cultural Anthropology, Sienna Craig, Summer 2013

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Exhibition History

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-June 16, 2024.

Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-January 5, 2020

No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, in conjunction with the Humanities Institute, Leslie Center for the Humanities, Dartmouth College, Hanover, New Hampshire, October 6-December 9, 2007.

Survival/Art/History: American Indian Collections from the Hood Museum of Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 18, 2000-April 7. 2002.

Publication History

[Northern, Tamara]. "Native American Art". Hanover, New Hampshire: Hood Museum of Art, page 12 . (Published in conjunctionwith Gutman Gallery opening exhibition)

Provenance

Collected by "an old sea captain," about 1820-1860; to General John Hewston, California; bequeathed to his niece, Margaret Barnhill Roosevelt Kimberly (1851-1927), West Newton, Massachusetts; given to present collection, 1922.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects