Red, White and Blue
Shan Goshorn, Cherokee / American, 1957 - 2018
Eastern Band of Cherokee
Southeast
2017
Arches watercolor paper splints printed with archival inks, acrylic paint and artificial sinew; weaving technique: Cherokee single weave, Eye-of-the-Sacred-Bird pattern
Overall: 8 1/2 × 8 1/2 × 14 3/4 in. (21.6 × 21.6 × 37.5 cm)
Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund
© Shan Goshorn
2019.8
Geography
Place Made: United States, North America
Period
21st century
Object Name
Basket
Research Area
Native American
Native American: Southeast
Not on view
Course History
NAS 35, ENGL 32.01, Native American Literature, Melanie Benson Taylor, Spring 2019
NAS 32.01, ENGL 53.02, Indian Killers: Murder and Mystery, Melanie Benson Taylor, Spring 2019
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Spring 2019
ARTH 5, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
English 62.05, Horrors of Survival: Modern American Literature, Jamie Godley, Summer 2023
Exhibition History
Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 17-December 30, 2019.
Shan Goshorn: Resisting the Mission, The Trout Gallery, The Art Museum of Dickinson College, Carlisle, Pennsylvania, September 7, 2018-February 2, 2019.
Publication History
Philip Earenfight, editor, San Goshorn: Resisting the Mission, Carlisle, Pennsylvania: The Trout Gallery, The Art Museum of Dickinson College, 2018, p. 96.
Provenance
Shan Goshorn Studio, Tulsa, Oklahoma; sold to present collection, 2019.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu