[Unknown Exhibition TItle], West Chester Art Association, West Chester, Pennsylvania, April 1917.
The Paintings of John Folinsbee, New Jersey State Museum, Trenton, New Jersey, October 30, 1982–January 9, 1983.
The Country in Winter; the First Annual Exhibit of the Contemporary of Newark, Newark Museum Association (Newark Museum of Art), Art Gallery, Newark Public Library, Newark, New Jersey, December 18, 1918–January 26, 1919.
Paintings by John Folinsbee, Ferargil Gallery, New York, New York, November–December, 1917.
Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 7, 2010.
Group Exhibition of Paintings by Myron Barlow, Charles Rosen, Hayley Lever, Randall Daley, John Wenger, and John Folinsbee; A Series of Thumb-Box Sketches lent by the Ferargil Gallery, New York; and Foreign War Posters Lent by Mrs. Fiske Warren of Harvard, Mass., February Nineteen Hundred Nineteen, Memorial Art Gallery, Rochester, New York, February 7–March 6, 1919.
Celebrating Twenty Years: Gifts in Honor of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 11-December 12, 2005.
92nd Annual Exhibition (Winter), National Academy of Design, New York, New York, December 15, 1917–January 13, 1918.
112th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, February 4–March 25, 1917.
Kirsten M. Jensen, Follinsbee Considered, Easthampton, Massachusetts: Hudson Hills Press, 321 pp., ill. p. 39.
Katherine W. Hart et al., Celebrating Twenty Years: Gifts in Honor of the Hood Museum of Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2005, p. 56, ill. p. 57, cat. no. 19.
In the collection of the Everson Museum of Art (named the Syracuse Museum of Art until 1968),1920-1985; Caldwell Gallery, Manlius, New York; sold to Judith D. and Charles H. Hood (1929-2016), Manchester-by-the-Sea, Massachusetts, date unknown; lent to present collection, 2010; given to present collection, 2017.
Kristin Jensen, JFF.1060
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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