Adam and Eve
Ludwig Krug, German, 1490 - 1532
1514 or 17th century or possibly 19th century
Bronze with gilding
Overall: 5 3/8 × 3 1/4 × 5/16 in. (13.7 × 8.2 × 0.8 cm)
Weight: 369 g (0.8 lb.)
Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019
2016.64.97
Geography
Place Made: Germany, Europe
Period
19th century
Object Name
Sculpture: Plaquette
Research Area
Sculpture
On view
Inscriptions
Inscribed in upper left: "LK"; right edge: "1514"
Label
The objects on this table evoke an early modern collector’s home—perhaps a studiolo in the Italian peninsula or a cabinet or Kunstkammer north of the Alps. Between 1400 and 1750, Europeans lived with, and expressed themselves through, sculpture. Three-dimensional and tactile, sculpture was regularly handled and moved, and spaces for exhibition in the early modern home facilitated active engagement with these works.
The sculptures in this grouping relate to the 15th- and 16th-century interest in Humanism, a tradition of learning with roots in Greek and Roman sources that emphasizes agency and inquiry. Sculptures of classical subjects like Arion or biblical ones like Eve could serve as prompts for conversation and debate about morality, philosophy, and literature. In this way, collections offered social spaces that connected friends, scholars, and rivals.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections
Course History
ARTH 27.02, Living Stone: Sculpture in Early Modern Italy, Elizabeth Kassler-Taub, Winter 2022
ENGS 30.01/PHYS 30.01, Biological Physics, Kimberley Samkoe, Winter 2023
German 16.01, Jewish Studies 25.03, Curious George: A Secret History, Yuliya Komska, Fall 2023
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
European Bronzes from the Collection of Roger Arvid Anderson, Class of 1968, Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19, 1996-June 22, 1997, no. 30.
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Publication History
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 189.
Provenance
Ruth Blumka, date unknown; acquired by Roger Arvid Anderson, San Francisco, California, before 1994; lent to present collection, 1994; given to present collection, 2016.
Catalogue Raisonne
Weber, No. M27 & 27; Braun I, LXVIII e
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu