Adam and Eve

Inscriptions

Inscribed in upper left: "LK"; right edge: "1514"

Label

The objects on this table evoke an early modern collector’s home—perhaps a studiolo in the Italian peninsula or a cabinet or Kunstkammer north of the Alps. Between 1400 and 1750, Europeans lived with, and expressed themselves through, sculpture. Three-dimensional and tactile, sculpture was regularly handled and moved, and spaces for exhibition in the early modern home facilitated active engagement with these works.

The sculptures in this grouping relate to the 15th- and 16th-century interest in Humanism, a tradition of learning with roots in Greek and Roman sources that emphasizes agency and inquiry. Sculptures of classical subjects like Arion or biblical ones like Eve could serve as prompts for conversation and debate about morality, philosophy, and literature. In this way, collections offered social spaces that connected friends, scholars, and rivals.

From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections

Course History

ARTH 27.02, Living Stone: Sculpture in Early Modern Italy, Elizabeth Kassler-Taub, Winter 2022

ENGS 30.01/PHYS 30.01, Biological Physics, Kimberley Samkoe, Winter 2023

German 16.01, Jewish Studies 25.03, Curious George: A Secret History, Yuliya Komska, Fall 2023

History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024

History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

German 13.01, Beyond Good and Evil, Heidi Denzel, Fall 2024

History 3.01, Europe in the Age of Wonder, Cecilia Gaposchkin, Fall 2024

Italian 1.02, Introductory Italian I, Floriana Ciniglia, Fall 2024

Italian 1.03, Introductory Italian I, Floriana Ciniglia, Fall 2024

Italian 1.01, Introductory Italian I, Floriana Ciniglia, Fall 2024

Italian 11.01, Intensive Italian, Matteo Gilebbi, Fall 2024

Italian 3.01, Introductory Italian III, Giorgio Alberti, Fall 2024

Italian 3.02, Introductory Italian III, Matteo Gilebbi, Fall 2024

Exhibition History

European Bronzes from the Collection of Roger Arvid Anderson, Class of 1968, Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19, 1996-June 22, 1997, no. 30.

Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 189.

Provenance

Ruth Blumka, date unknown; acquired by Roger Arvid Anderson, San Francisco, California, before 1994; lent to present collection, 1994; given to present collection, 2016.

Catalogue Raisonne

Weber, No. M27 & 27; Braun I, LXVIII e

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects