obv: Inscribed, top edge: . DVX. EQVITVM.PRAESTANS. ; inscribed, center, left to right: MALATESTA NOVELLVS / CESENAE.DOMINVS.
rev: Inscribed, top edge: .OPVS.PISANI PICTORIS
ARTH 28.08, Italian Art from Renaissance to Baroque: Crisis and Invention, Elizabeth Kassler-Taub, Winter 2020
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 3, 2000.
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18, 2001-April 7, 2002.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 10-11.
Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1993; given to present collection, 2016.
Kress, No. 15, p. 9; Wixom, No. 20 & 21; Hill Corpus, No. 35
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
Noticed a mistake? Have some extra information about this object? Contact Us