Signed and dated, in image, right: OPVS/PISAN/I.PICT/ORIS/.M./CCCC/XLVII
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
ITAL 22, Humanism and Renaissance, Courtney Quaintance, Spring 2014
ANTH 7.5, Animals and Humans: A Beastly Experiment in Ethics, Theory & Writing, Laura Ogden, Winter 2015
FRIT 34, Sex and Gender in the Italian Renaissance, Courtney Quaintance, Spring 2015
ITAL 7, Women in Renaissance Venice, Courtney Quaintance, Spring 2015
ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2020
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 15.
Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1998; given to present collection, 2016.
Kress, No. 17; Hill Corpus, No. 37
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