Baby Back, from the American Family Series

Renee Cox, American, born 1960

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2001

Archival digital "C" print mounted on aluminum

Overall: 100 × 144 in. (254 × 365.8 cm)

Hood Museum of Art, Dartmouth: Purchased through the Sondra and Charles Gilman Jr. Foundation Fund and the Fund for Contemporary Photography

© Renee Cox

2008.31abc

Geography

Place Made: United States, North America

Period

21st century

Object Name

Photograph

Research Area

Photograph

Not on view

Course History

WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013

WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013

WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

SART 30, Photography II, Fall 2013

SART 29, Photography I, Fall 2013

WGST 65.7, Queer Popular Culture, Eng-Beng Lim, Summer 2015

AAAS 10, Introduction to African American Studies, Trica Keaton, Winter 2020

MUS 3.02, American Music: Covers, Theft, and Musical Borrowing, Richard Beaudoin, Winter 2020

Exhibition History

Reconstitution, Dorothy and Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 2-May 31, 2020.

Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 329, plate 110.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.206, no.264.

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 196, ill. plate no. 127.

Provenance

The artist, Chappaqua, New York, New York; sold to present collection, 2008.

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