A Six Panel Composition Mounted in Two Triptychs; Triptych 2, panels 4-6: Mutually Creating Genji (Ai moyō Genji jitate) [Triptych 1, panels 1-3 (2006.65.7.1): Related Sleeves in Bay-dye (Sono yukari sode ga urazome)]

Utagawa Kunisada, Japanese, 1786 - 1865

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1855, eigth month

Six color woodblock prints (triptych 2 of 2)

Overall: 14 3/4 x 10 1/8 in. (37.4 x 25.7 cm)

Hood Museum of Art, Dartmouth College: Gift of Anne W. Thomas, in honor of Howard Thomas

2006.65.7.2

Publisher

Izumiya Ichibei

Geography/Culture

Asia, East Asia, Japan

Period

19th century

Object Name

Print

Classification

Print

Not on view

Inscription

print 4: Inscribed, in black ink, lower left: [Japanese inscription]; inscribed, in graphite, top left corner: 4; print 5: Inscribed, in black ink, bottom right: [Japanese inscription]; inscribed, in graphite, top left corner: 5; print 6: Inscribed, in black ink, top right: [Japanese inscription]; inscribed, in black ink, lower left: [Japanese inscription]; inscribed, in graphite, top left corner: 6

Course History

ARTH 65, Japanese Prints, Allen Hockley, Winter 2015

Exhibition History

Dartmouth Looks at The Tale of Genji (Genji monogatari), curated by Dennis Washburn and Allen Hockley in conjunction with the colloquium "What Is a Classic? Translation, Reception, and the Making of Canons," Ivan Albright Gallery, Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 21-September 28, 2014.

Provenance

Howard Thomas (1899-1971); to his wife, Anne Wall Thomas, Chapel Hill, North Carolina, 1971; given to present collection, 2006.

Old Number

No. 62

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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Subjects

Subjects: