Matrose und Madchen (Sailor and Prostitute)

Otto Dix, German, 1891 - 1969

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1923

Four color lithograph on wove paper

Trial proof

Image: 19 × 14 5/8 in. (48.2 × 37.2 cm)

Sheet: 23 3/4 × 16 15/16 in. (60.3 × 43 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Robert J. Strasenburgh II 1942 Fund

2006.14

Publisher

Karl Nierendorf, Cologne and Berlin

Geography/Culture

Europe, Germany

Period

20th century

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, on reverse, in graphite, bottom center: Original litho von Otto Dix / Martha Dix

Course History

German Club, Winter 2019

ENGL 7.47, Tales of the Avant-Gard, Andrew McCann, Winter 2019

WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014

ENGL 53, Twentieth Century British Fiction: 1900 to WWII, Brenda Silver, Spring 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

Exhibition History

Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April-June 2006.

Flesh and Desire [curated by Art History II Professors Jane Carroll and Katie Hornstein], Ivan Albright Gallery, Hood Museum of Art, Dartmouth Collection January 7-March 4, 2013.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.

A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.

A Space for Dialogue 57, Perspectives on War, Eleanor Stoltzfus, Class of 2010, Class of 1954 Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 5-July 18, 2010.

Publication History

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 198-199, ill. p.199, no. 125.

Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, ill title page.

Eleanor Stolzfus, A Space for Dialogue 57, Perspectives on War, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2010, ill. p. 3.

Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.24.

Provenance

Charles M. Young Fine Prints & Drawings, Portland, Connecticut; sold to present collection, 2006.

Catalogue Raisonne

Karsch 68 ii/II

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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