The Beheading of Saint John the Baptist
Francesco Trevisani, Italian, 1656 - 1746
about 1690
Oil on canvas
Overall: 26 1/2 × 22 in. (67.3 × 55.9 cm)
Frame: 32 1/2 × 27 15/16 in. (82.5 × 71 cm)
Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund
2005.59
Geography
Place Made: Italy, Europe
Period
1600-1800
Object Name
Painting
Research Area
Painting
Nazi-Era Provenance Research
Not on view
Inscriptions
none visible
Course History
ANTH 12.3, WGST 42.5, The Ethnography of Violence, Chelsey Kivland, Fall 2013
ARTH 45, Southern Baroque Art, Joy Kenseth, Spring 2014
WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014
ANTH 12.3, WGST 42.5, Ethnography of Violence, Chelsey Kivland, Winter 2015
ANTH 12.3, WGST 42.5, Ethnography of Violence, Chelsey Kivland, Winter 2015
ARTH 28.08 – Italian Art from Renaissance to Baroque: Crisis and Intervention, Elizabeth Kassler-Taub, Winter 2020
ITAL 3.01, Introductory Italian III, Damiano Benvegnu, Fall 2021
Exhibition History
A Space for Dialogue 44, Femme Fatales, Changing Conceptions of the Dangerous Female in the Male Imagination, Marissa Slany, Class of 2008, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 17-May 11, 2008.
A Space for Dialogue 67, Continuity of the Spiritual: Old and Modern Masters, Karysa Norris, Class of 2012, Class of 1954 Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 7-February 5, 2012.
European Art at Dartmouth: Highlights from the Hood Museum of Art, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.
Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 23, 2020-February 12, 2024.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 20, 2009-August 31, 2010.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 11, 2005-January 14, 2008.
Publication History
T. Barton Thurber, Twenty Years of Building a Collection: The Hood Museum of Art, Apollo (Vol. 162, no. 526), December 2005, London: Apollo Magazine, 2005, pp. 46-53, ill. p.50.
Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.11.
Marissa Slany, A Space for Dialogue #44, Femme Fatales, Changing Conceptions of the Dangerous Female in the Male Imagination, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2008, ill. cover.
T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.59, ill., no. 20.
Karysa Norris, A Space for Dialogue 67, Continuity of the Spiritual: Old and Modern Masters, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2011, ill. p. 3.
Provenance
Collection of the Royal Picture Gallery at Dresden, no. 231, by 1821; Dresden Collection auction, October 17, 1859; Sotheby's, New York, Sale NY7684, lot 201, June 28, 2001; sold to Derek Johns (art dealer), London, 2001; sold to Bernard C. Solomon, Los Angeles, 2005; Christie's, New York, Sale 1556, lot 86, September 30, 2005; Robert Dance, Inc., New York, New York, 2005; sold to present collection, 2005.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu