The Hood Museum of Art's striking installation of thirty prints, drawings, and ceramics from the recently donated Stahl collection presents a wonderful opportunity to learn from art objects chosen by passionate, discerning collectors. Assembled over a period of sixty years, these highlights include bold, socially critical German Expressionist prints by Max Beckmann, Ludwig Meidner, and Emil Nolde, complemented by early twentieth-century American works on paper in a social realist mode. A cornerstone of the Stahl collection, assembled over decades, is Georges Rouault’s poignant series of eight aquatints titled The Circus (Le Cirque), 1930. The installation also features late twentieth-century works by New Hampshire artists, including James Aponovich and pioneering ceramicists Gerry Williams and Edwin and Mary Scheier. These highlights are drawn from the 118 works donated by Susan E. Hardy, Nancy R. Wilsker, Sarah A. Stahl, and John S. Stahl, the children of the original collectors, the late Barbara J. and David G. Stahl, Dartmouth Class of 1947. The high quality of the works, combined with their strong thematic links to a wide range of academic fields, makes these new acquisitions prime candidates for the interdisciplinary, object-based teaching that is central to the Hood Museum of Art’s mission.