Search the Collection

One-word searches work best.
Use AND to combine them:

  • ceramics AND vase
 More
Close Overlay

Keyword Search Information

For best results, use one word:

  • Yoruba
  • Baroque
  • Rembrandt

Use AND for combinations:

  • American AND ceramics AND vase
  • Birch AND bark AND container
  • Picasso AND photograph

Use * for partial matches:

  • Lawren* (finds Lawren & Lawrence)
  • "Picturing New York*"

Use quotes for phrases and full names:

  • "Bark Painting"
  • "English Sheraton Barometer"
  • "Tuning Fork Mallet"

If the phrase may be part of a longer phrase, use * with quotes:

  • "*New York*"
  • "*sugar bowl*" AND American

If your search includes 3 or more words, use a mix of quotes, *, AND, and OR:

  • "*birch bark*" AND container

Exhibitions Archive

Filter By:

Cubism And Its Aftershocks
Cubism and Its Aftershocks
January 26, 2019 – February 16, 2020
For the United States, modernism in the first half of the 20th century emerged from a transatlantic dialogue among artists, writers, philosophers, and myrid other forward-looking thinkers. This gallery focuses on the exchange of ideas between art centers such as Paris and New York while celebrating the contributions of individual artists.

Read More >

Enrico Wiley, Untitled: Remembrance of Things Past, 2018, oil on canvas. Purchased through the Winky Fund; 2019.3.1
Black Bodies on the Cross
November 9, 2019, through January 5, 2020

Black Bodies on the Cross attempts to capture the dissonance and duality present in the Black Christian experience, as seen through the eyes of postwar and contemporary African American artists including Romare Bearden, Ashley Bryan, Kara Walker, and Enrico Riley. By inserting Black subjects into Biblical narratives, these artists explore the ways in which the Black experience can be understood as part of a universalizing Christian narrative that, ironically, often excludes Black subjects.

Read More >

Native Ecologies

Recycle, Resist, Protect, Sustain

Native Ecologies
January 26 – December 30, 2019
What do you see and what can you understand when you look at a piece of Native pottery made in the late 19th century? In this gallery, we'll ask what we might see and understand of Native and social ecologies when we look in, under, and outside the drawing, carving, tool, ceremonial object, and item of clothing—that is, Native relationships with and responsibilities to place, land, water, plants, and animals, and to family, community, and stranger.

Read More >

Melanesian Art

The Sepik River and Abelam Hill Country

Melanesian Art
January 26 – December 8, 2019
The art of Melanesia is a particular strength of the Hood Museum of Art's collection, and the museum's primary holdings are from the island of New Guinea in the southwestern Pacific. The objects in this gallery offer a window into the region's traditional religions, people's ideas about the supernatural world, and the social relationships of people living within the traditional societies located in the Sepik River region and Abelam Hills in the northern part of the island.

Read More >

Global Contemporary

A Focus on Africa

Global Contemporary
January 26 – December 1, 2019
Global contemporary art encapsulates the practices of Western and non-Western artists alike who emobdy the spirit of the time. This installation presents a contemporary story of the continent of Africa through fifteen powerful works in diverse media and in myriad forms by multiple generations of artists. The works explore a range of issues, including the impact of the colonial past on present challenges of nation-building in Africa, feminism, urbanism and infrastructural changes, globalization, forced and voluntary immigration, and environmental challenges.

Read More >

A World of Relations installed in the Hood Museum's William B. Jaffe and Evelyn A. Jaffe Hall Galleries. Photo by Jeffrey Nintzel.
A World of Relations
January 26 – December 8, 2019
This selection of works from the Hood's Owen and Wagner Collection of Aboriginal Australian Art explores a series of relationships between spouses, siblings, parents, and children, as well as those bonded by shared lands or experiences. Family ties run deep in Indigenous Australian art. And yet, for Indigenous Australians, the concept of kinship is more than simply genetic: it is the basis for a complex cosmology that unites all things in the universe.

Read More >

Pages