Exhibitions Archive
Resource Wars in the American Arctic
Subhankar Banerjee
This exhibition features four monumental habitat photographs taken by Subhankar Banerjee during his recent sojourns into the Arctic National Wildlife Refuge to photograph this remote region in northeastern Alaska in all four seasons. His work there coincided with the push by oil companies and the current U.S. administration to open up the oil and gas reserves on the coastal plain to drilling. During his travels over nearly four thousand miles of the 19.5-million-acre refuge by foot, raft, kayak, and snowmobile, he stayed in interior and coastal villages with both Gwich’in Athabascan and Inupiat families, absorbing their close and intricate relationships to the northern environment and the birds and animals that thrive there.
Art and/as Violence
GAWU
El AnatsuiThis inspiring exhibition of metal "tapestries" and other sculptures by El Anatsui, one of Africa's most powerful contemporary artists, celebrates Africa's rich artistic and cultural heritage. El Anatsui uses found objects such as metal liquor caps and other discarded materials to create spectacular metal cloths, including Hovor, which the Hood Museum of Art recently acquired, and two recently completed works that will be exhibited for the first time. The works in this exhibition references broader concerns about the adverse affects of globalization, consumerism, and waste. Organized by the Oriel Mostyn Gallery in North Wales, United Kingdom, this is El Anatsui's first solo exhibition to travel the United States.
Behavior and Anonymity in Urban Life
Frames of InfluenceAustralian Aboriginal Women Painters
Dreaming Their Way
The first-ever exhibition of its kind in the United States, Dreaming Their Way features intensely colorful canvases and intricate bark paintings by thirty-three Indigenous female artists from across the Australian continent. The paintings demonstrate these women's bold and often experimental interpretations of their cultural heritage. Works from renowned artists such as Dorothy Napangardi and the late Emily Kame Kngwarreye express the Indigenous relationship to the land, understanding of the world, and sense of obligation to their culture. Collectively, these works will encourage visitors to view contemporary Australian Indigenous art as one of the great art movements of our time.
Images of War