Exhibitions Archive
Tibetan Artists Respond
Tradition TransformedHighlights from the Hood Museum of Art
Modern and Contemporary Art at Dartmouth
The third in a series of comprehensive exhibitions and catalogues showcasing the permanent collection, this exhibition surveys the breadth and depth of the permanent collection and highlights key works from the holdings, only a tiny fraction of which are on view in the museum's galleries at any one time. Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, new media, and photography, and includes works by Mark Rothko, Ed Ruscha, Alice Neel, Romare Bearden, Alexander Calder, El Anatsui, Juan Munoz, Alison Saar, Amir Nour, Bob Haozous, Richard Serra, and Bill Viola, among others.
Tapis from Lampung, South Sumatra, Indonesia
Wearing Wealth and Styling IdentityVisual Humor in Ideas of Race, Nationality, and Ethnicity
No Laughing MatterThis fall term, Dartmouth College Humanities Institute participants, including visiting residential fellows and several Dartmouth faculty members, are meeting weekly on campus to investigate the impact of visual humor on history, psychology, culture, and everyday life from multiple perspectives. No Laughing Matter is led by David Bindman (Morton Distinguished Fellow) and Angela Rosenthal (Dartmouth Institute Director), under the auspices of the Leslie Center for the Humanities, Dartmouth College, with the participation of the Yale Center for British Art and the Du Bois Institute of African and African-American Studies at Harvard. The Humanities Institute will host an international conference, November 8-11, 2007. The Hood exhibition has also been organized in conjunction with the Northeast American Society for Eighteenth-Century Studies Annual Meeting and conference, October 25-28, 2007, which will host a special panel titled Visual Humor in the Global Eighteenth Century in conjunction with the Humanities Institute.
The Hood Museum of Art and Dartmouth College Library present a two-part installation and exhibition by avant-garde Chinese artist Wenda Gu. Part of his ongoing global united nations hair monuments project, the green house and united colors comprise a massive sculpture created from hair collected in 2006 from thousands of Dartmouth College students, faculty, and staff and Upper Connecticut River Valley community members. Wenda Gu's hair sculptures grow from his dream that through his art he might unite humanity and encourage international understanding. An exhibition of the artist's recent works on paper is presented concurrently in the Hood's galleries.