After Botticelli 1; from a series of 5
Brice Marden, American, 1938 - 2023
1993
Etching and aquatint on heavy wove paper
42/45
Plate: 9 × 11 7/8 in. (22.8 × 30.2 cm)
Sheet: 27 1/16 × 21 3/16 in. (68.7 × 53.8 cm)
Hood Museum of Art, Dartmouth: Purchased through the William S. Rubin Fund
PR.994.25.1
Printer
Patricia Branstead Studio, New York
Publisher
Brice Marden
Geography
Place Made: United States, North America
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Signed and numbered, in graphite, bottom center: 42/45 B. Marden 93
Course History
SART 27, 28, 74, Printmaking I-Intaglio, II, III, Ariel Frieberg, Spring 2015
SART 27/28/74, Printmaking I/II/III, Jennifer Caine, Winter 2022
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Jen Caine, Winter 2023
Exhibition History
A Decade of Collecting, 1985-1995: Contemporary Prints from the Hood Museum of Art, I. Abstraction, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 16, 1995-January 28, 1996, no. 16.
A Space for Dialogue 78, Abstracting Emotion, The Intersection between Black and White, Gwendolyn Tetirick, Class of 2013, The Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-October 20, 2013.
Brice Marden: Paintings Drawings Etchings, Matthew Marks Gallery, New York, May 14-June 26, 1993.
Works on Paper: Richmond Burton-Brice Marden-Agnes Martin, Jaffe-Friede & Strauss Galleries, Hopkins Center, Dartmouth College, Hanover, New Hampshire, September 26-October 22, 2000.
Publication History
Timothy Rub, A Decade of Collecting: 1985-1995 / Contemporary Prints Hood Museum of Art, Dartmouth College, Hanover, New Hampshire: Trustees of Dartmouth College, 1995, ill. p. 1, fig. 2, listed p. 5, no. 16..
Brice Marden: Paintings Drawings Etchings, Matthew Marks Gallery, New York, 1993, n.p., illus.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.184, no.191.
Gwendolyn Tetirick, A Space for Dialogue 78, Abstracting Emotion, The Intersection between Black and White, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2013, ill. p. 3.
Provenance
Matthew Marks Gallery, New York, New York; sold to present collection, 1994.
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