Tora Rain (Tear Drop) at Oiso (Oiso Tora ga ame) Station 8, from The Fifty-three Stations of the Tokaido (Tokaido gojusantsugi no uchi) (Hoeido Edition)

Exhibition History

A Space for Dialogue 39, Decoration and Function, The Evolving Relationship of Colors and Lines in the Japanese Print Tradition, Su-Ling Lee, Class of 2007, The Kathryn and Caroline Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 10-September 6, 2007.

Munakata at Dartmouth, Class of 1967 Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-March 26, 2019.

Publication History

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 115, ill. plate no. 46.

Published References

Hokusai and Hiroshige: Great Japanese Prints from the James A. Michener Collection, Honolulu Academy of Arts. (San Francisco: The Asian Art Museum of San Francisco in association with the Honolulu Academy of Arts and University of Washington Press, Seattle and London, 1998)

Provenance

Probably collected by Edward Curtis Richardson (1881-1968), in Japan, 1920s; to his son, John Curtis Richardson (1919-2003), South Berwick, Maine, about 1968; given to present collection, 1972.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects