Noir #64
Angèle Etoundi Essamba, Cameroonian, born 1962
2001
Gelatin silver print
Edition 2/20
Image: 18 7/16 × 13 1/16 in. (46.9 × 33.2 cm)
Sheet: 19 15/16 × 16 1/8 in. (50.7 × 40.9 cm)
Hood Museum of Art, Dartmouth: Purchased through the Alvin and Mary Bert Gutman 1940 Acquisition Fund
PH.2003.30.2
Geography
Place Made: Cameroon, Central Africa, Africa
Period
21st century
Object Name
Photograph
Research Area
Africa
Photograph
Not on view
Inscriptions
Signed, in black ink, lower right: Angele Etoundi Essamba 2001; numbered, in black ink, lower left: #2/20; signed and inscribed, on reverse, in graphite, lower right: c [encircled] Angele Etoundi / Essamba / Noir 64, 2001/ #2/20 GSP
Exhibition History
A Space for Dialogue 25, Body (A)Part: Fragmentation of the Female Form, Alexis Ettinger, Class of 2005, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 4-May 22, 2005.
Museum voor Moderne Kunst Arnhem, The Netherlands, 8 September-11 November 2001.
Publication History
Noirs: Angele Etoundi Essamba, 2001. Arnhem: Museum voor Moderne Kunst Arnhem.
Provenance
Skoto Gallery, New York, New York; sold to present collection, 2003.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu