Saint Veronica's Sudarium: The Saviour Nirukotvorniye (not made by hands) with Angels and Saints

Unknown Russian, Russian

Share

Second half of the 17th century

Tempera on wood panel

Overall: 7 1/2 × 6 5/16 × 13/16 in. (19 × 16 × 2 cm)

Hood Museum of Art, Dartmouth: Gift of Ralph S. Bartlett, Class of 1889

P.966.19

Geography

Place Made: Russia, Europe

Period

1600-1800

Object Name

Painting

Research Area

Nazi-Era Provenance Research

Painting

Not on view

Inscriptions

Not signed.

Course History

REL 1, Patterns of Religious Experience, Elizabeth Perez, Fall 2013

Exhibition History

Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 1, 1972-January 12, 1973.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

The Miraculous Face of Christ, Icons from the Collection of the Hood Museum of Art, Barrows Windows, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 3-April 28, 1985.

The Miraculous Face of Christ, Icons from the Collection of the Hood Museum of Art, Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 11-April 1, 1991.

Publication History

"The Miraculous Face of Christ, Icons from the Collection of the Hood Museum of Art", prepared by the members of the Art History seminar on The Icon led by Professor Kathleen Corrigan in the The Spring Term of 1984: James Buonocore, Gail Chicoine, Jacques Migeon, Carl Oman, and David Shedd.

Provenance

Sold to Ralph Sylvester Bartlett (1869-1960), in Russia; given to present collection, 1959.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu