Factory Worker: Francisco (Francisco Femenias)

Inscriptions

Signed and inscribed, lower right: Paul Cadmus / Francisco Femenias; on backing, Midtown Galleries label, in type: FACTORY WORKER; FRANCISCO by Paul Cadmus; inscribed, on backing, in ball-point pen: FACTORY WORKER; FRNACISCO / 1933 (MALLORCA) 12 5/8 x 9 7/8 PENCIL )THIS DRAWING HAS BEEN / TREATED by A.J. YOW, conservator at / The MORGAN LIBRARY for 25 years) CADMUS; printed Sotheby's label on backing: PAUL CADMUS, FACTORY WORKER, graphite/paper / DEPT 8890 *M162279; note in red ball-point pen: AH-B8

Course History

SART 22, Figure Drawing, Edward del Rosario, Winter 2013

SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013

ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014

SART 22, Figure Drawing, Edward del Rosario, Winter 2014

SART 15, Drawing I, Karol Kawiaka, Fall 2014

SART 15, Drawing I, Karol Kawiaka, Spring 2019

SART 15.02, Drawing I, Lucy Mink Covello, Winter 2020

SART 22, Figure Drawing, Jerry Auten, Winter 2020

SART 15.01, Drawing I, Esme Thompson, Fall 2020

SART 15.02, Drawing I, Karol Kawiaka, Spring 2021

SART 15.02, Drawing I, Karol Kawiaka, Spring 2021

SART 15.02, Drawing I, Karol Kawiaka, Spring 2021

SART 15.02, Drawing I, Karol Kawiaka, Spring 2021

SART 15.02, Drawing I, Karol Kawiaka, Spring 2021

SART 17.08, Digital Drawing, Karol Kawiaka, Fall 2021

SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021

SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021

SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021

SART 15.03, Drawing I, Karol Kawiaka, Spring 2022

SART 15.02, Drawing I, Karol Kawiaka, Spring 2022

SART 15.02, Drawing I, Karol Kawiaka, Spring 2022

SART 17.08, Digital Drawing, Karol Kawiaka, Fall 2022

Studio Art 15.02, Drawing I, Daniele Genadry, Summer 2023

Exhibition History

American Paintings from the Dartmouth Collection, 1910-1960, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, (no cat.), January 17-April 12, 1998.

Drawing from the Collection, Harrington Gallery Teaching Exhibition, SArt 15, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-October 22, 2000.

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.

Publication History

American Paintings, Drawings and Sculpture, Sotheby's Arcade Auctions, Sale 1532, lot 283, March 20, 1996.

Lincoln Kirstein, Paul Cadmus, New YOrk, Chameleon Books, Incl, 1992, p. 114 (in color).

Lincoln Kirstein, Paul Cadmus, New York, Imago Imprint, 1984, p. 114 (B & W).

Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 166, 266, ill. p. 167, no. 52.

Barbara J. MacAdam, American Art at Dartmouth: Highlights from the Hood Muesum of Art, Hanover: Trustees of Dartmouth College, 2007, ill p. 91.

Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, American Art Review, Vol. XVII No. 2, April 2005, pp. 86-93, ill p. 93

Provenance

Midtown Galleries, New York, probably before 1980; Dr. Leo Lese, by 1992; Sotheby's, New York, "American Paintings, Drawings and Sculpture," March 20, 1996, lot 283 (illus.); sold to present collection, 1996.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects