Study of Man's Head with Mustache for Hispano-America (Panel 14) for The Epic of American Civilization

José Clemente Orozco, Mexican, 1883 - 1949

Share

1932-1934

Graphite on tracing paper

Sheet: 14 × 14 in. (35.6 × 35.6 cm)

Hood Museum of Art, Dartmouth: Purchased through gifts from Kirsten and Peter Bedford, Class of 1989P; Jane and Raphael Bernstein; Walter Burke, Class of 1944; Mr. and Mrs. Richard D. Lombard, Class of 1953; Nathan Pearson, Class of 1932; David V. Picker, Class of 1953; Rodman C. Rockefeller, Class of 1954; Kenneth Roman Jr., Class of 1952 and Adolph Weil Jr., Class of 1935

Art © Estate of Jose Clemente Orozco / Licensed by VAGA, New York, NY

D.988.52.153

Geography

Place Made: Mexico, North America

Period

20th century

Object Name

Drawing

Research Area

Drawing

Not on view

Inscriptions

Inscribed, on reverse, lower left: DC 25, 1419; inscribed, on reverse, lower right: 61.1781.5, 32

Course History

WRIT 5, Expository Writing, William Craig, Winter 2014

LATS 41, Representations of/from Latinos in the Media and the Arts, Douglas Moody, Spring 2014

SART 15, Drawing I, Colleen Randall, Spring 2015

Exhibition History

Drawings for the Orozco Murals at Dartmouth College, Baker Library, Dartmouth College, Hanover, New Hampshire, September 29, 1980.

In Residence: Contemporary Art at Dartmouth, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.

Orozco: Studies for the Murals at Dartmouth, Museum of Modern Art, New York, New York, 1962-1963; unconfirmed international itinerary, 1964-1965.

Publication History

Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 29 , no. 10

Provenance

Artist; by descent to the Orozco Family, about 1949; purchased by the present collection, 1988.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu