Chilkat Robe (naaxein)

Chilkat Tlingit
Tlingit
Northwest Coast

Share

See Previous Article See next Article

about 1850-1880

Mountain Goat wool, cedar bark, and native dyes

Overall: 34 1/4 × 68 7/8 in. (87 × 175 cm)

Hood Museum of Art, Dartmouth: Gift of Robert L. Ripley, Class of 1939H

40.15.12586

Geography

Place Made: United States, North America

Period

19th century

Object Name

Clothing: Ceremonial

Research Area

Native American

Native American: Northwest Coast

Not on view

Course History

NAS 10, ANTH 4, Peoples and Cultures of Native North America, Sergei Kan, Spring 2012

NAS 10, ANTH 4, Peoples and Cultures of Native North America, Sergei Kan, Winter 2013

ANTH 3, Introduction to Cultural Anthropology, Sienna Craig, Summer 2013

NAS 10, ANTH 4, Peoples and Cultures of Native North America, Sergei Kan, Winter 2015

NAS 10, ANTH 4, Peoples and Cultures of Native North America, Sergei Kan, Winter 2015

NAS 30.18, Indians Who Rock the World: Native American Contemporary Music, Davina Two Bears, Spring 2019

NAS 30.24/MUS 3.06, Sound Relations: Indigenous Musical Perspectives, Sunaina Kale, Spring 2022

Exhibition History

Affinities and Influences: Native American Art and American Modernism, Currier Gallery of Art, Manchester, New Hampshire, June 7-August 19, 1996.

Critical Faculties: Teaching with the Hood's Collections, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 15-March 13, 2005.

Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 8, 2011-March 12, 2012.

Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-July15, 2019.

Peoples and Cultures of the Northwest Coast and Arctic Regions, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 22-October 14, 1990.

Survival/Art/History: American Indian Collections from the Hood Museum of Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 18, 2000-April 7, 2002.

The Art of the Northwest Coast, Harrington Gallery Teaching Exhibition, Anthropology 25/Native American Studies 49, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 25-May 18, 2003.

The Commanding Presence of Imagery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 1989.

Publication History

George P. Horse Capture, Sr., Joe D. Horse Capture, Joseph M. Sanchez, et al., Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2011, ill. on p. 88 and p. 144, no. 33.

Edward S. Cooke, Jr., Global Objects: Toward a Connected Art History, Princeton, NJ: Princeton University Press, 2022, pp. 33-39, ill. p. 34, fig. 1.13.

Provenance

Possibly collected from J. E. Standley (1854-1940), Ye Olde Curoisty Shop, Seattle, Washington; to Robert L. (born LeRoy Robert) Ripley (1890-1949), Mamaroneck, New York, early 20th century (The Ripley's Believe It or Not Collection); given to present collection, 1940.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu