Intake

Susanna Coffey, American, born 1949

Share

2008

Oil on panel

Overall: 15 × 12 in. (38.1 × 30.5 cm)

Hood Museum of Art, Dartmouth: Purchased through gifts from Alice and M. R. Schweitzer; and Ada and William Preston Harrison, by exchange

© Susanna Coffey

2013.24

Geography

Place Made: United States, North America

Period

21st century

Object Name

Painting

Research Area

Painting

Not on view

Inscriptions

Signed, titled and dated, on reverse.

Course History

WRIT 5, Expository Writing, William Craig, Winter 2014

SART 25, Painting I, Enrico Riley, Fall 2014

SART 31, SART 72, Painting II, Painting III, Jennifer Caine, Fall 2014

SART 31, 72, Painting II, III, Jennifer Caine, Winter 2019

SART 76, Senior Seminar I, Jennifer Caine, Winter 2019

SART 25.01, Painting I, Enrico Riley, Winter 2020

SART 31/SART 72, Painting II/III, Jennifer Caine, Winter 2020

SART 31/SART 72, Painting II/III, Jen Caine, Winter 2022

SART 31/SART 72, Painting II/III, Colleen Randall, Spring 2022

SART 25.01, Painting I, Danielle Genadry, Summer 2022

Studio Art 31.01/72.01, Painting II/III, Jen Caine, Winter 2023

Studio Art 31.01/72.01, Painting II/III, Colleen Randall, Spring 2023

Studio Art 25.01, Painting I, Jen Caine, Spring 2023

Exhibition History

About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-August 30, 2015.

In Residence: Contemporary Art at Dartmouth, Hood Museum of Art, Harrington Gallery, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.

Susanna Coffey: Apophenia, Alpha Gallery, Boston, MA, September 8-October 3, 2012.

Publication History

Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. frontispiece, p. 114 , no. 104

Provenance

The artist; Alpha Gallery, Boston, Massachusetts; sold to present collection, 2013.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu