Kuba people Democratic Republic of Congo Central Africa Africa
Mukyeem, Mask of the King-as-Elephant
Wood, beads, fiber, hair, cowrie shells, and cloth
Overall: 23 5/8 x 19 11/16 x 26 3/4 in. (60 x 50 x 68 cm)
Hood Museum of Art, Dartmouth College: Purchased through the William S. Rubin Fund
Africa, Central Africa, Democratic Republic of the Congo
Not on view
ARTH 85, Senior Seminar in Theory and Method, Mary Coffey, Fall 2014
Art That Lives? Exploring Figural Art from Africa, Allvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 25, 2009-July 2010.
Genesis: Ideas of Origin in African Sculpture, November 19, 2002-April 13, 2003.The Metropolitan Museum of Art, New York
Sets, Series and Ensembles in African Art, Center for African Art, New York, July 25, 1985-October 20, 1985.
Alexander Bortolot, Art That Lives? Exploring Figural Art from Africa, Hood Mueum of Art, Hanover: Trustees of Dartmouth College, 2009, ill. p. 18, no. 12.
Alisa Lagamma, Genesis: Ideas of Origin in African Sculpture, New York, 2002, p. 39, cat. 10.
Warren Robbins and Nancy Nooter, African Art in American Collections, Washington, 1989, p. 422, fig. 1071.
Grace Clueck, "The Wonders of African Art Explored in Two Exhibitions," The New York Times, July 19, 1985, C25.
George Nelson Preston, Sets, Series and Ensembles in African Art, Center for African Art, New York, 1985, p. 64, cat. 63.
Eliot Elisofon, New York; Frieda and Milton Rosenthal, Harrison, New York; The Collection of Frieda and Milton Rosenthal: African and Oceanic Art, Sotheby's, New York, Sale November 14, 2008, lot 38; sold to present collection, 2008.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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