Untitled

Daniel A. Heyman, American, born 1963

Share

2002

Chine collé etching on cotton paper

Image: 9 7/8 × 23 7/8 in. (25.1 × 60.6 cm)

Sheet (Irreg.): 22 9/16 × 29 3/4 in. (57.3 × 75.5 cm)

Hood Museum of Art, Dartmouth: Gift of Vincent Renou

2005.32.7

Portfolio / Series Title

Tattoo Series

Printer

C. R. Ettinger Studio, Philadelphia

Geography

Place Made: United States, North America

Period

21st century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed and dated, in graphite, lower right margin: D [illegible script] '02; titled, in graphite, lower center margin: Tatto Series VII; numbered, in graphite, lower left margin: 3/3 Embossed, lower right margin: CRE [vertical portion of R and E are omitted] [semicircles above and below letters] [publisher's chop] Watermark, lower right margin: somerset / ENGLAND; watermark, upper left margin: somerset / ENGLAND [upside down]

Label

In the Tattoo Series, Heyman uses a printmaking process called chine collé, which involves layering tissue-thin paper atop a support paper and running them together through a press.

In Untitled [Vincent], the artist’s husband sprawls out in the sand. A marbleized sheet of paper becomes a secondary "skin" atop the figure, transforming him into part of the natural environment. This skin—slipped between the support paper and the imprinted ink—literally and figuratively creates a separate layer. He lies exposed yet hidden by both the sandy dunes and the chine collé mask.

From the 2023 exhibition A Space for Dialogue 111, Taking Up Space: Forming Body and Identity, curated by Milanne Berg '24, Homma Family Intern

Course History

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014

SART 27, SART 28, SART 74, Printmaking I, Printmaking II, Printmaking III, Louise Hamlin, Spring 2014

Exhibition History

A Space for Dialogue 111, Taking Up Space: Forming Body and Identity, Milanne Berg, Class of 2024, Homma Family Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 4 - 22 April 22, 2023.

Provenance

Vincent Renou, Philadelphia, Pennsylvania; given to present collection, 2005.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu