Jaune Quick-to-See Smith, American (Flathead), born 1940 Salish (Flathead) Plateau
Acrylic on canvas
Overall: 72 1/4 x 48 1/8 in. (183.5 x 122.2 cm)
Hood Museum of Art, Dartmouth College: Purchased through the William S. Rubin Fund
North America, United States
Activism; Advertising; Assimilation; Cartoon; Consumerism; Contemporary Native American; George Catlin; Humor; Native American Artist; Social satire; Text; Woman Artist
Native American; Painting; Native American
Not on view
Signed and inscribed, on reverse, in black marker, top edge: [illeg.] Smith 2002 "THE RANCHER" ACl 72" x 48"
NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013
SART 31, SART 72, Painting II, III, Colleen Randall, Spring 2013
SART 31, Painting II, Tom Ferrara, Summer 2012
Colby College Museum of Art, Waterville, Maine, February 16, 2016-June 30, 2018.
Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 8, 2011-March 12, 2012.
Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 26,2009-March 15, 2010.
Intersections: Native American Art in a New Light, Peabody Essex Museum, Salem, Massachusetts, June 24, 2006-December 1, 2008.
LewAllen Contemporary, Santa Fe, New Mexico, 2005.
Picturing Change: The Impact of Ledger Drawing on Native American Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 11, 2004-May 15, 2005.
George P. Horse Capture, Sr., Joe D. Horse Capture, Joseph M. Sanchez, et al., Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2011, ill. on p. 65 and p. 157, no. 84.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.87, no.62.
Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.34.
Zena Pearlstone, Kemo Sabe: The Tonto Paintings of Jaune Quick-To-See Smith, American Indian Art Magazine, Summer 2004, p. 72-79.
The artist through LewAllen Contemporary, Santa Fe, New Mexico; sold to present collection, 2005.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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