Vessel depicting the Water Spirit Avanyu

Inscriptions

Scratched on base: "Se...ra Santa Clara"

Label

Both objects in this case refer to the ways environmental ecology informs sociocultural understandings and design. Lenora LaChusa’s basket tray features a diamondback rattlesnake, with its rattle at the center and body coiling outward, following the structure of the basket. While the rattlesnake design did not appear in baskets until the turn of the twentieth century, the design was inspired by this dangerous predator, which had long coexisted alongside the Ipai.

Although also inspired by ecological phenomenon, Severa Tafoya’s Tewa blackware pot is incised not with an animal, but with a zoomorphic being, the legendary Avanyu (water serpent). Representational of both earthly and otherworldly phenomena, the Avanyu symbolizes clouds, rain, lightning, and water places, but also the connection between the terrestrial and the heavenly, a sustainer of life in the temperamental desert landscape of the Southwest.

From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Severa Gutierrez Tafoya’s Tewa blackware pot is incised with a zoomorphic being, the legendary Avanyu (water serpent). Embodying both earthly and otherworldly phenomena, the Avanyu symbolizes clouds, rain, lightning, and watery places. It connects the terrestrial and the heavenly, becoming a sustainer of life in the temperamental desert landscape of the Southwest.

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Exhibition History

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-June 16, 2024.

Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-January 5, 2020

This Land: American Engagement with the Natural World, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–July 22, 2022.

Provenance

Collected by Alice Macy Ray Cox (1891-1975) (widow of Dartmouth English Professor Sidney Hayes Cox, 1889-1952), 1930s-1940s; given to her daughter, Barbara Alden Cox Vallarino (Mrs. Joaquin Jose Vallarino Jr., Dartmouth Class of 1943W); given to present collection, 1977.

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Subjects