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A Space for Dialogue: Images of War

Hood Quarterly, autumn 2006 

This fall when you visit the Hood, make a point to see the current Space for Dialogue exhibition in the entrance lobby. Five powerful selections from the collection including prints by Francisco Goya and Käthe Kollwitz, photographs by James Nachtwey and Dmitri Baltermants, and a bronze sculpture by Marius Jean Antonin Mercie come together to present a profound and moving picture of war and its victims.

Marguerite Collier Named 2006 Volunteer of the Year

Staff News: Autumn 2006

Recent Acquisitions: Henry W. Bannarn, Midwife (Breath of Life), about 1940

Hood Quarterly, autumn 2006
Barbara J. MacAdam, Jonathan L. Cohen Curator of American Art

Recent Acquisitions: Alison Saar, Caché, 2006

Hood Quarterly, autumn 2006
Barbara Thompson, Curator of African, Oceanic, and Native American Collections

Caché is a powerful life-sized sculpture by Alison Saar, who was artist-in-residence in Dartmouth College’s Department of Studio Art in 2002. This work presents an autobiographical narrative layered with African and African American artistic and cultural references.

Protest in Paris 1968: Photographs by Serge Hambourg

Hood Quarterly, autumn 2006
Brian Kennedy, Director, and Katherine Hart, Associate Director

Of what value are photographs when reflecting upon historic events? Many are compelling images that give the look and feel of a time that is past—the way people dressed, their fleeting expressions, the particularity of a place at a certain day and hour. What truths are to be gleaned from them, if any? Why do some photographs become symbolic of an entire era?

Community of Learners: Creative Writing in Response to Works of Art

Hood Quarterly, autumn 2006
Lesley Wellman, Curator of Education

Art as Life and Identity: Dreaming Their Way

Hood Quarterly, autumn 2006
Brian Kennedy, Director

Letter from the Director: Autumn 2006

Hood Quarterly, autumn 2006
Brian Kennedy, Director

New Art Now; Hood 2004

Hood Quarterly, summer 2004

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