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Protest in Paris 1968: Photographs by Serge Hambourg

Hood Quarterly, autumn 2006
Brian Kennedy, Director, and Katherine Hart, Associate Director

Of what value are photographs when reflecting upon historic events? Many are compelling images that give the look and feel of a time that is past—the way people dressed, their fleeting expressions, the particularity of a place at a certain day and hour. What truths are to be gleaned from them, if any? Why do some photographs become symbolic of an entire era?

Community of Learners: Creative Writing in Response to Works of Art

Hood Quarterly, autumn 2006
Lesley Wellman, Curator of Education

Art as Life and Identity: Dreaming Their Way

Hood Quarterly, autumn 2006
Brian Kennedy, Director

Letter from the Director: Autumn 2006

Hood Quarterly, autumn 2006
Brian Kennedy, Director

New Art Now; Hood 2004

Hood Quarterly, summer 2004

Dartmouth Students Make an Acquisition

Hood Quarterly, summer 2004

Recent Acquisitions: Isabel Bishop, Sleeping Child, about 1935

Hood Quarterly, summer 2004

Modern Art Highlights Return to Lathrop Gallery

Hood Quarterly, summer 2004
Katherine Hart, Barbara C. and Harvey P. Hood 1918 Curator of Academic Programming

Luis Gispert / Loud Image

Hood Quarterly, summer 2004
Roberto Tejada, Assistant Professor, Art History, Theory, and Criticism, Visual Arts Department, University of California, San Diego, and co-curator of the exhibition

An Interview with the Curators of Looking Backward, Moving Forward: Women Photographers in the Hood’s Collection

Hood Quarterly, summer 2004
Kevin Perry ’04, Megan Fontanella ’04, and Jennifer Schreck ’04, Hood Museum of Art interns

This winter, Kevin Perry ’04, public relations intern, interviewed Megan Fontanella ’04, Class of 1954 intern, and Jennifer Schreck ’04, part-time special projects intern, about the exhibition they curated during their senior year. The show features the work of over two dozen photographers, all of them women, from the permanent collection of the Hood.

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