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Phil Solomon's American Falls

Hood Quarterly, autumn 2013
Mark Williams, Associate Professor, Film and Media Studies

The Dak’Art Biennial and Contemporary African Art since the 1990s

Hood Quarterly, autumn 2013
Ugochukwu-Smooth Nzewi, Curator of African Art

Ugochukwu-Smooth Nzewi Appointed Curator of African Art

Between Tradition and Modernity: The Art of Fan Tchunpi

Hood Quarterly, autumn 2013
Michael Taylor, Director

Cubism and Its Legacy

Hood Quarterly, autumn 2013
Sarah Powers, Curator for Special Projects

Picasso: The Vollard Suite

Hood Quarterly, autumn 2013
Michael Taylor, Director

Letter from the Director: Autumn 2013

Hood Quarterly, autumn 2013
Michael Taylor, Director

Recent Acquisitions: Louise Fishman, Green’s Apogee, 2005

Hood Quarterly, autumn 2013
Michael R. Taylor, Director

Recent Acquisitions: Suzy Frelinghuysen, Cubist Collage #7, about 1936

Hood Quarterly, autumn 2013
Sarah G. Powers, Assistant Curator for Special Projects 

From about 1935 to her death, Suzy Frelinghuysen produced a remarkable body of work that drew on her intense study of cubism and abstract painting. She applied this avant-garde pictorial language to American subject matter and to musical forms that acknowledged her other career as an accomplished opera singer.

Recent Acquisitions: Washington Allston, Eben Flagg, about 1801

Hood Quarterly, autumn 2013
Barbara J. Macadam, Jonathan L. Cohen Curator of American Art 

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