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Letter from the Director: Autumn 2013

Hood Quarterly, autumn 2013
Michael Taylor, Director

Recent Acquisitions: Louise Fishman, Green’s Apogee, 2005

Hood Quarterly, autumn 2013
Michael R. Taylor, Director

Recent Acquisitions: Suzy Frelinghuysen, Cubist Collage #7, about 1936

Hood Quarterly, autumn 2013
Sarah G. Powers, Assistant Curator for Special Projects 

From about 1935 to her death, Suzy Frelinghuysen produced a remarkable body of work that drew on her intense study of cubism and abstract painting. She applied this avant-garde pictorial language to American subject matter and to musical forms that acknowledged her other career as an accomplished opera singer.

Recent Acquisitions: Washington Allston, Eben Flagg, about 1801

Hood Quarterly, autumn 2013
Barbara J. Macadam, Jonathan L. Cohen Curator of American Art 

Community of Learners: Local Teacher Deborah Springhorn Receives Christa McAuliffe Sabbatical Grant

Curator of Indigenous Australian Art Leaves the Museum

Orozco’s Epic of American Civilization Now a National Historic Landmark

Hood Quarterly, summer 2013

The Orozco mural cycle, one of Dartmouth’s greatest treasures, has been designated a national historic landmark, one of thirteen new landmarks announced on March 11, 2013, by Secretary of the Interior Ken Salazar and National Park Service Director Jonathan B. Jarvis.

Finding Carlos Sanchez

Hood Quarterly, summer 2013
Jessica Womack ’14

Event Recap: Teaching Museums in the Twenty-First Century: Moving Our Practice Forward

Hood Quarterly, summer 2013
Juliette Bianco, Assistant Director

Alumni Voices: A Space for Dialogue and the Hood Internship Program

Hood Quarterly, summer 2013
Amelia Kahl ’01, Coordinator of Academic Programming

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