A Space for Dialogue 92
Consent: Complicating Agency in Photography
January 26 to May 5, 2019
Gina Campanelli '18, Marie-Therese Cummings '18, Ashley Dotson '18, Tess McGuinness '18, Kimberly Yu '18
The concept of consent in photography is complex. Who is giving it? Who is receiving it, if anyone at all? This exhibition, curated by the Hood Museum of Art's 2017–18 interns, addressed these questions through four themes: Self Reflections, Individuals and Identities, Public Spheres, and Global Ethics.

A Space for Dialogue 93
Los Mojados: Migrant Bodies and Latinx Identities
May 11 to June 16, 2019
Armando Pulido '19
This exhibition highlighted prints and photographs from the Hood's collection that speak to the complexity of the US-Latinx experience. Ranging from migrant labor rights issues in the 1960s to the current Central American refugee crisis, these works invoked an array of cross-cultural issues though an exploration of the body and accessible media. This exhibition sought to insert Latinx art and culture into the greater historical narrative of the United States while encouraging viewers to rethink the boundaries of American art.

A Space for Dialogue 94
Society Engraved

June 22 to August 4, 2019
Jules Wheaton '19
The prints in this exhibition reflect William Hogarth's (1697–1764) pointed, shrewd, and satirical social and political commentary. This exhibition considered how while his work appealed to a broad public, its popularity prompted ethical issues around the production and distribution of prints, the right to profit from artistic labor, and the nature of what constitutes an original work of art.