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Past Exhibitions

RIOT

Feminist Protest Art

54
January 07, 2010, through February 07, 2010

The Art of Sonia Landy Sheridan

October 10, 2009, through January 3, 2010

This exhibition presents over sixty works by Sonia Landy Sheridan, who through her art has investigated the inner landscape of her own intensely creative, and often playful, intelligence. Sheridan is known for her work with the new forms of technology that sparked the late-twentieth-century communications revolution as well as her experience as both an inspiring teacher and artist-in-residence at the 3M Company. This exhibition, a retrospective view of Sheridan's artistic production from the 1950s to the present, is organized in thematic sections and culminates with her important work with various early imaging machines, such as the first color copier by 3M and early computer graphic systems.

Expression of the Unconscious

The Language of Emotion

53
December 05, 2009, through January 03, 2010

Reading Images

Prints by Robert Rauschenberg

September 24, 2009, through November 30, 2009

Robert Rauschenberg has often been called one of the most influential American artists of the latter half of the twentieth century. He is best known for his assemblage work, in which he combined painting with found objects. While his art retained many expressionistic and painterly traits, his frequent use of materials from popular culture made him an important transitional figure between abstract expressionism and Pop Art. Rauschenberg regarded his methods as comprising a collaboration with materials rather than a conscious manipulation of them. This open-minded attitude toward art led him to experiment with a greater range of media than perhaps any other contemporary artist.

Rauschenberg's residency at Dartmouth College in 1963 marked a transitional period in his career, during which he sought alternatives to assemblage by experimenting with the printmaking process. The high level of cooperation inherent in printmaking made it especially suited to Rauschenberg, who was prone to collaborative ventures. Over the years, he worked with various printmakers and also choreographers, such as Merce Cunningham and Trisha Brown, and also arranged and performed his own pieces.... read more

Félix de la Concha

Private Portraits/Public Conversations

April 04, 2009, through September 27, 2009

The Hood Museum of Art continues its series of major public art projects, in conjunction with the Dartmouth Centers Forum, in a multimedia exhibition of fifty-one portraits exploring the ways members of the Dartmouth and Upper Valley communities have encountered conflict and how they made--or are making--the journey toward reconciliation.

De la Concha's effort to capture a truthful portrait results in a multidimensional representation of his encounter with his sitters--each one is intellectually, psychologically, and emotionally charged. Each portrait session lasted two hours, during which time the artist interviewed the sitter, and video- and audio-taped the entire experience. The artist added the aspect of video recording for the Hood project as a means of reconstructing, in real time, what transpired in each two-hour session. Thus, "portrait" here comprises painted representation, spoken narrative, and the visual recording of the interaction between artist and subject.

When Men and Mountains Meet

Artists Celebrating the White Mountains

52
August 25, 2009, through September 20, 2009

Wearing Wealth and Styling Identity

Tapis from Lampung, South Sumatra, Indonesia

April 11, 2009, through August 31, 2009

Handwoven from cotton and silk threads, colored with ancestral dye recipes, embellished with gold- and silver-wrapped threads, embroidered with silk or pineapple-fiber threads, appliquéd with mirrors and mica, these ornate tube dresses were created by elite women of Lampung, South Sumatra. The product of a culture located between the two maritime routes between East and West Asia, these sumptuous garments communicate a family's global contacts, social station, and clan identity. Guest curated by Dr. Mary-Louise Totton, assistant professor of art history at Western Michigan University, the exhibition combines selected tapis from the Stephen A. Lister Family Collection with contextual archival photographs.

France in Transformation

The Caricature of Honoré Daumier

April 25, 2009, through August 24, 2009

One of the most witty and adept caricaturists of all time, Honoré Daumier created a body of social and political cartoons that continues to resonate today. The Hood Museum of Art’s collection offers a rich overview of Daumier’s career as a graphic artist, presenting a picture of France at a time in the mid-nineteenth century when cultural and societal changes were ushering in a new era of modernity.

The Quest for Printed Tone

The Origins of Mezzotint in the Seventeenth Century

51
June 04, 2009, through August 16, 2009

Spirit of the Basket Tree

Wabanaki Ash Splint Baskets from Maine

December 20, 2008, through June 28, 2009

Spirit of the Basket Tree: Wabanaki Ash Splint Baskets from Maine, guest curated by Jennifer Sapiel Neptune, focuses on the rich visual dialogue between contemporary Wabanaki basket artists of Maine and the legacy of Native American basket making in northern New England and southeastern Canada. Originally created for indigenous use, baskets emerged as valued items of trade with European settlers during the colonial era. They have remained at the center of cultural exchanges between Wabanaki people and Americans of non-native descent up to the present day, serving to solidify cultural identity, perpetuate intergenerational continuity, and symbolize political sovereignty for Wabanaki tribal members through the centuries.

Jennifer Sapiel Neptune, a basket maker herself and a co-manager of the Maine Indian Basket makers Alliance (MIBA), also has written an essay for the gallery brochure that accompanies the exhibition.

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